motionally devastating and sharp as daggers, these thirty-five pieces of flash fiction focus on female experiences.
The book reveals grief, betrayal, fear, and quiet devastation, often carried in silence. Children encounter death and cruelty before they have words for either. Women endure loss, shame, and the gradual erosion of hope. They flee. They grieve. They navigate emotional abuse, broken marriages, and dashed futures.
A journey of catharsis for reader and writer alike, Falling Woman is Hannah Retallick’s second collection.`
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fter demonstrating mastery of the highly concentrated form in her first flash fiction collection, Something Very Human, in 2024, Hannah Retallick returns with another, even more sharply focused and skilful volume of very short tales. While still unmistakably set in the same imaginative and affective world, this one is more of a heartbreak album, but one whose songs are about much more than merely doomed romance.
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